Course
Profile English, Grade 9
academic, Public
Unit 1
Course Profiles are professional development materials designed to help teachers implement the new Grade 9 secondary school curriculum. These materials were created by writing partnerships of school boards and subject associations. The development of these resources was funded by the Ontario Ministry of Education and Training. This document reflects the views of the developers and not necessarily those of the Ministry. Permission is given to reproduce these materials for any purpose except profit. Teachers are also encouraged to amend, revise, edit, cut, paste, and otherwise adapt this material for educational purposes.
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Acknowledgements
Lead Board Upper Grand District School Board
Director: Martha Rogers
Superintendent of Education: Dave Euale
Project Leader Linda May Bell
Course Profile Writing Team
Linda May Bell, Arthur DHS,
Upper Grand DSB Joanne
Bridgeman, Bradford DHS, Simcoe DSB
Laura Cannon-Sherlock, Grey
Highlands SS, Bluewater DSB Patti
Collins, College Heights SS, Upper Grand DSB
Karen Fraser, J. D. Hogarth
PS, Upper Grand DSB Larry
Hincks, Grey Highlands SS, Bluewater DSB
Phil Midgley, Pauline Johnson
CVS, Grand Erie DSB Peggy
Raeburn-Bell, Georgian Bay SS, Bluewater DSB
Wilf Smyth, Stratford Central
SS, Avon Maitland DSB Judy
Stormes, Norwell DSS, Upper Grand DSB
Ann Varty, Program
Department, Trillium Lakelands DSB Ian
Waldron, North Toronto CI, Toronto DSB
Margaret Young, Westmount SS,
Hamilton-Wentworth DSB
Feedback Team
Pamela Brown-Wass, J. F. Ross
CVI, Upper Grand DSB Marilyn
Crooks, J. D. Hogarth PS, Upper Grand DSB
Kate Dodsworth, Arthur DHS,
Upper Grand DSB Catherine
Eagles, Pauline Johnson CVS, Grand Erie DSB
Jane Enticknap, Pauline
Johnson CVS, Grand Erie DSB Laura
Espinoza, University of Waterloo, student
Dianne Fenner, Toronto DSB Janet
Franklin, Pauline Johnson CVS, Grand Erie DSB
Nancy Fulton, Centre
Wellington DHS, Upper Grand DSB Leslie
Harrison, St. Mary’s DCVI, Avon Maitland DSB
Judith Hunter, Toronto DSB Clair
Keodprom, Brantford CI&VS, Grand Erie DSB
Amanda Leathem, Elora PS,
Upper Grand DSB Carol
Leis, John F. Ross CVI, Upper Grand DSB
Gillda Leitenberg, Toronto
DSB Robert
Lyon, Canadian Forces
Troy Maracle, Moira SS,
Hastings/Prince Edward DSB Mark
McKechnie, Lasalle SS, Limestone DSB
Betty Mick, Centre Wellington
DHS, Upper Grand DSB Scott
Montgomery, Arthur PS, Upper Grand DSB
Lynda Noppe, Westside SS,
Upper Grand DSB Beth
Paterson, Arthur DHS, Upper Grand DSB
Paola Rowe, Silvercreek
Education Centre, Upper Grand DSB Doreen
Smith, Arthur, parent
Amanda St. Jean, J. F. Ross
CVI, Upper Grand DSB Michael
Stubitsch, Toronto DSB
Sherri Van Sickle, Pauline
Johnson CVS, Grand Erie DSB Philip
Vousden, Mitchell DHS, Avon Maitland DSB
Christine Walker-Bird, Centre
Hastings SS, Hastings/PE DSB Jim
Wibberley, Brantford CI&VS, Grand Erie DSB
Assistants
Geoff Burchill, Arthur Barbara
Fatt-Merilees, Upper Grand DSB
Beth Smeltzer, Rockwood
Unit #1: Narrative Forms and Voices
Activity 1 | Activity
2 | Activity 3 | Activity 4 | Activity 5 | Activity 6 | Activity
7 | Activity 8
Time: 25 hours
Unit
Developers: Linda May Bell, Laura Cannon-Sherlock, Karen Fraser, Larry
Hincks,
Peggy Raeburn-Bell, Wilf Smith,
Margaret Young
Development
Date February – April 1999
Unit
Description
The students will develop an understanding of the conventions of narrative literature and language. The students will read and study a range of short narratives, including short stories, novellas, narrative poetry, myths, legends, short animated films, and short feature films. The students will use their knowledge of the elements of narrative, such as plot, character, setting, conflict, theme, and atmosphere, to understand and interpret narrative texts. The students will record their thoughts, ideas, and feelings in a variety of personal and interactive responses, and will create and share their own narratives. The students will write descriptive and expository paragraphs, thus providing a foundation for writing the five-paragraph essay. On-going personal reading and writing are essential for students to develop mature communication skills.
Strands and
Expectations
Strands: Literature Studies and
Reading, Writing, Language, and Media Studies
Overall Expectations: LIV.01D, LIV.02D, LIV.03B,
WRV.02D, WRV.03D, WRV.05B, LGV.01D, LGV.02B, MDV.01D, MDV.02D
Specific Expectations: LI1.02D, LI1.02B, LI1.03B,
LI1.05D, LI1.06B, LI2.01D, LI2.02D, LI3.02D; WR2.02D, WR3.01D, WR3.02D,
WR3.05D, WR4.02B, WR5.04B, WR5.05D, WR5.06D, WR5.07B, WR5.08B, WR5.09B,
WR5.10B, WR5.11B, WR5.14B, WR5.15B, WR5.16B; LG1.01B, LG1.02B, LG1.05D,
LG1.07B, LG2.02D, LG2.07D; MD1.02D, MD2.01D.
Activity
Titles
|
Activity 1 |
Introduction to Narrative
Form |
225 minutes |
|
Activity 2 |
The Structure of Narrative
Fiction |
225 minutes |
|
Activity 3 |
Setting and Mood: “It was a
dark and stormy night...” |
150 minutes |
|
Activity 4 |
Narrative Point of View |
225 minutes |
|
Activity 5 |
Characterization: A
Blueprint for Character |
150 minutes |
|
Activity 6 |
Themes in Narrative
Fiction |
150 minutes |
|
Activity 7 |
The Whole Picture |
75 minutes |
|
Activity 8 |
Create Your Own Narrative |
300 minutes |
Unit Planning
Notes
The teacher needs to develop
a collection of short narratives, such as ballads, media works, music videos, and
short films. The teacher-librarian will
prove invaluable as a co-planner and co-developer of this unit.
Prior
Knowledge Required
The Ontario Curriculum
Grades 1–8: Language outlines the principles of Response Journals and co- operative
learning principles, and an understanding of print and electronic thesauri and
dictionaries.
Teaching/Learning
Strategies
Because students learn in a
variety of ways, teachers must accommodate various learning styles in their
teaching. For the academic level student,
approaches should be more abstract than concrete. Students must be given the
opportunity to work independently, with partners, in small groups, and with the
whole class. There should be a range of activities to provide students with
optimal opportunities to develop their language skills. The traditional
practices of teacher lecture or instruction, the Socratic lesson, and whole
class discussion should be complemented with opportunities for brainstorming,
experimenting, discussing, debating, interviewing, researching, writing, role
playing, dramatizing, designing, and constructing. In the English classroom, the use of personal and interactive
Response Journals should play an important part of helping students to identify
and develop their ideas for writing and discussion and their awareness of their
own learning.
Assessment/Evaluation
Teachers must develop and
utilize a full repertoire of evaluative tools and strategies, including
checklists, rubrics, exemplars, criteria-referenced tests, quizzes, examinations,
portfolios, collections, performance-based tasks, and assignments, in order to
measure the students’ achievements against the course expectations.
Both formative and summative
evaluation must be used to enhance student learning and to ensure fair
evaluation. All evaluation procedures must include opportunities for learning.
Students must be given opportunities for peer- and self-evaluation, and for the
design of evaluation criteria.
Accommodations in assessment
are necessary to ensure that the assessment accurately measures student
learning. Accommodations are appropriate for exceptional pupils and students
for whom English is a second language. Assessment tools and strategies should
reflect a sensitivity to the cultural diversity within the English classroom.
Resources
National Film Board of
Canada, C.B.C., TVO web site, Clio Awards
Barry, J. (Ed.) Coast to
Coast Stories, Poetry, Non-fiction and Drama. Toronto: Nelson Canada, 1995. ISBN 0-17-604-704-2
Canadian Oxford Dictionary. Don Mills: Oxford
University Press, 1999. ISBN 0-19-541120-X
Geddes, G. (Ed.) Art of
Short Fiction. Toronto: Addison Wesley Longman, 1993.
ISBN 0-00-647424-1
Moss, D., and T. Goldie.
(Eds.) An Anthology of Canadian Native Literature in English. Toronto: Oxford University Press, 1992.
Perreault, J., and S. Vance.
(Eds.) Writing the Circle/Native Women of Western Canada. Edmonton:
Newest Publishers Ltd., 1993. ISBN
0-920897-882
Transparencies for Writing:
Literature: The English Tradition. Englewood
Cliffs, NJ: Prentice Hall,
1991. ISBN 0-13-981929-0
Activity #1: Introduction to Narrative Form
Time: 225 minutes
Description
This introductory activity
is a diagnostic tool to assess students’ prior knowledge of the narrative form.
Information from this activity will enable the teacher to determine the focus
of activities in this unit and individual student’s needs for remediation,
consolidation, and/or enrichment. The students will enhance their appreciation
of the narrative by examining its historical origins and critically assessing
its purpose and relevance.
Strands and
Expectations
Strands: Literature Studies and Reading,
Writing, and Language
Overall Expectations:
At the end of Grade 9
students will:
• L1V.03B - identify and explain the effect of
specific elements of style in a variety of literary and informational texts;
• LGV.02B - use listening techniques and oral
communication skills to participate in classroom discussions and more formal
activities, such as storytelling, role playing, and reporting/presenting
information for specific purposes and audiences.
Specific Expectations:
Students will:
• LI1.02D - select and read texts for
different purposes, with an emphasis on recognizing the
elements
of the literary genres and the organization of informational materials,
collecting
and
assessing information, responding imaginatively, and exploring human
experiences and
values;
• LI2.02D - use elements of the short story,
such as plot, characterization, setting, conflict,
theme,
mood, and point of view to understand and interpret examples of the genre;
• LI1.05D - analyze information, ideas, and
elements in texts to make inferences about
meaning;
• WR3.05D - structure expository paragraphs using
a topic sentence, supporting sentences to
develop
the topic, connecting words to link the sentences, and a concluding sentence;
• LG2.02D - communicate in group discussions
by sharing the duties of the group, speaking in
turn,
listening actively, paraphrasing key points made by others, exchanging and
challenging
ideas
and information, asking appropriate questions, reconsidering their own ideas
and
opinions,
managing conflict, and respecting the opinion of others; *
• LG2.07D - analyze their own and others’ oral
presentations to identify strengths and
weaknesses,
and plan ways to improve their performance.
Planning Notes
• The teacher will determine parameters for
classroom management and course expectations.
• Teachers and students will collect stories
that reflect the diversity of Ontario’s students for the reading collection.
• Teachers will provide an organizer chart
that includes the following elements: plot, characterization, setting,
conflict, theme, mood, and point of
view.
|
Plot |
Characterization |
Setting |
Conflict |
Theme |
Mood |
Point of View |
Prior
Knowledge Required
• The students will have met expectations as
outlined in The Ontario Curriculum Grades 1–8: Language.
• The students will have an understanding of
and experience with co-operative learning.
Teaching/Learning
Strategies
1. At the outset of this unit, the teacher will clearly establish parameters regarding classroom
management and course expectations (e.g., policies regarding late assignments,
attendance procedures, resources or materials for class, the course outline,
assessment and evaluation practices, personal Response Journals, learning logs,
writing portfolios, notebooks, and other departmental policies).
2. As a means of initiating class discussion
about this unit, sketch a mind map on the board with the word “narrative” as
the focus. Then ask students to respond to the question: What is a narrative? Responses may include a short story, a
legend, a myth, a ballad, a novella, an operetta, and/or a stained glass
window. The students should have the opportunity to respond to and express
their ideas constructively, building on the ideas of others. This initial
discussion may be used as a means of
establishing the courtesies for class discussion (i.e., the need for a
supportive atmosphere, attentive listening, constructive interaction, tact and
diplomacy, and the need to support responses appropriately).
3. In order to establish a definition of
“narrative,” the teacher will ask the students to refer to the mind map and
respond to the following questions: What conclusions can be drawn about what is
a “narrative“? What ideas justify these conclusions? What is the relationship
between these different forms of narrative? Using their responses to the
questions, the teacher will guide the class to write a definition of narrative.
The teacher needs to remind the class that definitions are constantly evolving;
therefore, literary critics’ definitions of narrative may also vary.
4. How did the short narrative form evolve?
Discuss how stories reflect our human experience. How do they depict human
nature? Why have stories been passed down in oral and written traditions? To
stimulate students to make a connection between their definition of the
narrative and the collective human experience, ask students to respond in their
Response Journals to the quotation “Today we live, but by tomorrow, today will
be a story. The whole world, all human life, is one long story.” (Isaac Bashevis
Singer)
5. So that the students will have an opportunity
to enhance their understanding of the narrative form, the teacher will provide
a rich, diverse collection of stories for students’ daily reading. Teachers and
students will add stories that reflect the diversity of Ontario’s students for
the Reading Collection.
6. The students will listen to a short story,
review briefly the definitions of the narrative elements, then complete the
elements of the story organizer. The students will create a glossary of
literary terms, either in their notebooks or on disk, which will be developed
during the course. The first entry will be a definition of the term
“narrative."
7. The teacher will explain the principles of
group work: how each student must be an active participant; how to express and
listen to ideas within a group; how to deal with conflict within a group; how
to organize and prepare material for presentation. The students will be given a
group evaluation check list, and the teacher will explain the specific criteria
for peer evaluation, answering any questions that may be raised. This modelling
of evaluation is the first step towards teaching students how to establish
objectives and assessment procedures.
8. The teacher will organize the students into
groups of three, giving each group a story and an organizer. All students will read the story silently,
then complete the organizer co-operatively.
9. Members of each group will read their story
aloud, act it out for the class, or present it in a series of tableaux. They
will submit a completed organizer for teacher evaluation.
10. The class will briefly discuss each group’s
presentation and organizer.
11. Using a group-evaluation check list, group
members will evaluate the strengths and weaknesses of their presentation, and
how effectively the group members worked together.
12. The teacher will explain to the students that
the following activity is a diagnostic activity to help focus their unit of
study on narrative structure.
13. Each student will select a story from the
Reading Collection and complete an organizer. The student will independently
write a paragraph summarizing the story, indicating what the story reveals
about the human experience and where the story fits in literary history. This
will be submitted for teacher evaluation. Students will need to review the
components of the expository paragraph (i.e., a topic sentence, supporting
sentences to develop the topic, connecting words to link the sentences, and a concluding
sentence).
Assessment/Evaluation
1. Formative: -
teacher’s observation notes on class participation
- peer group-work evaluation
check list (LG2.02D)
2 Diagnostic: - knowledge of
narrative elements from the initial exercise using the story
organizer
- assessment of writing
skills based on paragraph
- assessment of group’s
completed story organizers
Resources
Appleford, D. (Ed.) SF:
Inventing the Future. Agincourt: Books Society of Canada, 1972.
ISBN 0-7725-5065-4
Barton, B., and D. Booth. Stories
in the Classroom: Storytelling, Reading Aloud and Roleplaying with
Children. Markham: Pembroke
Publishers, 1990. ISBN 0-435-08527-1
Bemister, M. Thirty
Indian Legends of Canada. Vancouver: J.J. Douglas, 1973. ISBN 0-88894-025-4
Booth, D., and C.
Thornley-Hall. (Eds.) Classroom Talk. Markham: Pembroke, 1991.
ISBN 0-435-09596-4
Ellsworth, B., and A.
Keller. (Eds.) English Simplified Canadian. Toronto: Addison Wesley
Longman,
1996. ISBN 0-673-99962-9
Fisher, D., and S. Jeroski. Voices 1: Contemporary Short Fiction.
Toronto: Oxford University Press,
1993. ISBN 0-19-540887-X
Fisher, D., and S.
Jeroski. Voices 2: Contemporary
Short Fiction. Toronto: Oxford University Press,
1993. ISBN 0-19-540888-8
Gordon, J. Fiction: The
Elements of the Short Story. Illinois: National Textbook Co., 1999.
ISBN 0-8442-5991-8
Hargreaves, H. North By
Two Thousand: A Collection of Canadian Science Fiction. Toronto: Peter
Martin, 1975.
Hayakawa, S. Language In
Thought and Action. 3rd ed. New York: Harcourt Brace Jovanovich
Inc.,
1972. ISBN 0-15-550118-6
Hill, K. Glooscap and His
Magic: Legends of the Wabanaki Indians. Toronto: McLelland and Stewart,
1973. ISBN
0-89845-479-4
Kooy, M. (Ed.) Reading
Response Logs. Markham: Pembroke, 1996. ISBN 0-435-07208-0
Moss, S. (Ed.)
The World’s Shortest Stories. Santa Barbara, CA: Fithian
Press,1995.
ISBN 1-880284-11-1
Norton, S., and B. Green. The
Bare Essentials, Form A. Canada: Harcourt Brace and Co., 1996.
ISBN 0-7747-3361-6
Roman, T. (Ed.) Voices Under One Sky: Contemporary Native
Literature: Reflections and
Fiction & Non-Fiction. Scarborough: International
Thomson Publishing Nelson Canada, 1994.
ISBN 0-89594-720-X
School Achievement
Indicators Program: Report on Reading and Writing Assessment
1998. Toronto: Council of
Ministers of Education, Canada, 1999. ISBN 0-88987-116-7
Tesenga, S., and M. Bell. Character,
Plot, and Setting: Contemporary English Modules. Morriston,
NJ: Silver Burdett, General Learning Corp.,
1975.
Web Sites
http://www.teachers.net
http://www.lessonstop.org
http://www.microsoft.com/education/k12/classroom/
Accommodations
1. The teacher could pair successful students as peer mentors to assist t